When I heard that the film adaptation of LIFE OF PI was being released, I made sure to go and read the novel beforehand so I could compare it to the movie. I'm not a huge fan of Ang Lee and his overrated CROUCHING TIGER, HIDDEN DRAGON, so I wasn't quite sure what to expect with this. But I needn't have worried; this is a great movie, a film that fully explores the splendour of cinema and on-screen storytelling, and a film that's better than the book.The early and, quite frankly, boring parts of the novel are summarised well so that the storytelling is always on the move. The focus is on the survival narrative, which is as it should be, and the relationship between Pi and Richard Parker is brought to vivid and moving life. Sure, there are the occasional mis-steps along the way, like an ill-advised and tacked-on romance, but for the most part they get it right. The CGI is wondrous, especially the animals and an eye-popping shipwreck, and the story is moving, tender in places and full of heart. I'm not ashamed to say I had tears in my eyes in parts, and it's all down to Richard Parker, who must go down as one of the great animal characters in cinema. A great example of filming the unfilmable.
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Eric: Once the movie is made, there are still so many questions which need to be answered by Mr. Gianopulos and his team with exhibition, for instance, only becoming trickier in the era of digital downloads and video on demand.
Eric: If that attitude has helped him successfully run two movie studios, well then maybe it can help you too. We want to thank Jim Gianopulos for taking time out of what must be an insane schedule to talk with our students. And thanks, of course, to all of you for listening. 2ff7e9595c
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